Emmy award winning producer Elliot Caplan served as filmmaker in residence at the
Cunningham Dance Foundation from 1983 until January 1998, collaborating with
Merce Cunningham and John Cage in the production of films and videos. Together,
their work has aired nationally on PBS, Bravo, Arts & Entertainment, and
internationally to thirty-five countries.
Beach Birds For Camera, a 35mm wide-
screen film was first shown at L’Opera de Paris Garnier.
Cage/Cunningham, a
feature-length documentary on the life-long collaboration of Merce Cunningham and
John Cage, was released theatrically by October Films, translated into six languages
for international distribution, and distributed on home video by
Kultur Video.
Points
In Space, commissioned by BBC-Television was distributed to more than 400
libraries in the United States through a grant from the MacArthur Foundation.
Changing Steps, filmed at the Sundance Institute with an introduction by Robert
Redford was produced in association with La Sept and distributed by Éditions a Voir.
From 1996-2000, Caplan served as segment producer for PBS’s national series on
art in America, "EGG," and received an Emmy Award and Cine Golden Eagle for
"Outstanding Cultural Programming." His work includes segments on
Richard Serra and
The Whitney
Biennial 2000. As producer for
City Arts, WNET/THIRTEEN, Caplan’s work included, the making of
Carmen
Backstage at
The Metropolitan
Opera with James Levine, Plácido Domingo, Waltraud Meier and Franco Zeffirelli;
Jackson Pollack @ MoMA; the restoration of the Rose Reading Room at The New
York Public Library,
Reading Room Restored; and a segment profiling
architect/sculptor,
Maya Lin.
Caplan’s other work includes theater design and direction. In collaboration with Tony
award winning performer
Bill Irwin, Caplan designed an evening of theater and video,
which was presented at The Roundabout Theatre in New York, June 1999. Caplan
designed pieces that were performed by the Cunningham Company at the
Next Wave
Festival, Brooklyn Academy of Music, October 1997 and in Paris at the
Opera
Garnier, January 1998. Together with composer Michael Gordon and the orchestra
ENSEMBLE RESONANZ, Caplan produced the twenty-six screen video opera
Weather,
sponsored by the Siemens Foundation Kultur Program and Oper Bonn, which toured five
cities in Europe through 2001. In 1991, Caplan and Gordon made
Van Gogh Video
Opera, first performed at the Bang On A Can Festival and then at the Akademie der
Bildenden Kunst, Vienna. With German choreographer Sasha Waltz, Caplan designed a
sixteen-screen multi-monitor projection for live performance.
Alle der Kosmonauten has been the
recipient of numerous awards including, "Berliner Theatertreffen", 1996
and the National Theater Festival selection 1997, Seoul, Korea. Caplan produced the
film, One To Four with British choreographer, Robert Poole which features Poole as
performer. Additional film collaborations include works with Bruce Baillie, Richard
Foreman, Yvonne Rainer and Susan Seidelman.
Caplan's work has received numerous awards, including: 1999-2000
Emmy Award for Outstanding Cultural Programming,
National Academy of Television Arts and
Sciences; 2000
Cine Golden Eagle Award, Outstanding Cultural Series; 1996
Gold
Award, Dance On Camera Festival at Lincoln Center,
Best Documentary; 1995
Bessie Award for Best New Video Work; "
Grand Prix International Video Danse1994", and the "
Categorie
Captation de Spectacle Prix Academie des Beaux
Arts", Stockholm, Sweden; 1993
Grand Prize, New York Dance on Camera
Festival; 1993
IMZ Dance Screen Award Grand Prix; 1992
IMZ Dance Screen
Award for Best Documentary for
Cage/Cunningham.
Points In Space,
commissioned by BBC-Television was awarded the "
Golden Prague" at the 25th
International Television Festival, Czech Republic.
Changing Steps received
The
New York Times Critics Choice, 1990
Gold Award Dance On Camera Festival,
and the
2nd Grand Prix International Video-Danse Festival, France. Caplan’s
documentary art film on painter,
Robert S. Zakanitch won the
Chicago
International Film Festival and the
International Art Film Biennale at Centre
George Pompidou, Paris.
Film and video retrospectives have been presented in Portugal, Holland, Japan and
the United States. Video installations were exhibited at the Museum of Modern Art,
Buenos Aires (1999); Brooklyn Academy of Music, New York; The Jewish Museum,
Vienna (1997); Whitney Museum of American Art, Philip Morris Gallery, New York
(1995); and the Cartier Foundation, Paris (1996). Caplan's work is included in the
following permanent collections: The Museum of Modern Art, New York, the Musee
National d'Art Moderne, Centre George Pompidou and Cinematheque Francais,
Paris, the National Institute of the Arts, Taiwan; Tanzfilm Institute, Cologne and the
Munich Filmmuseum, Germany, the Tel Aviv Museum of Art, Israel, the Instituto Itaú
Cultural, Brazil, and The New York Public Library for the Performing Arts.
He has taught courses, lectured and been in residence at colleges and universities in
the United States and abroad including co-direction with Michael Kidd of the
Dance/Film/Video Workshop at the Sundance Institute. Caplan has served as a
panel member and juror for the National Endowment for the Arts, Mellon Foundation,
Jacob's Pillow, IMZ Dance Screen, British Arts Council, Fulbright Fellowships, and
the Sundance Film Festival. In 2004, Caplan was appointed professor, Department
of Media Study and artistic director, Center for the Moving Image at the University at
Buffalo, The State University of New York. New initiatives under the Center include
a national dance commissioning and preservation project and a film festival for the
City of Buffalo.
In 1998, Elliot Caplan founded
Picture Start Films to produce artistic and commercial
media projects. Current projects include
American Ballet Theatre, a documentary
of the dance-making process
, Hidden Things: A Children’s
Story,
a feature
documentary film funded in part by the Memorial Foundation for Jewish Culture and
selected by NYFA for 2004-6 Special Projects,
UTANGO, a performance film
currently
screening throughout the U.S. and Europe, and
Steel Work, an experimental
visual symphony on DVD with music by Philip Glass, David Bowie and Brian Eno. New
projects include video/music works, Sa'arah, and BlackfireWhitefire (working titles) for
the next two segments of the Isherwood project.